Alright, I've got it sounding the way I want it to with just some parts value changes.
I'm going to do my best to shoot the demo Friday. I need a day to get it boxed up.
Details:
• I know a lot of people say this, but I really think this circuit has a genuinely "analog" sound. And by that, I mean BBDs.
• I did some appallingly heavy-handed low-pass filtering on the delay line. This ain't no crystal-clear-repeats type of delay. It's dark and gritty... but NOT hissy. I really HATE hiss in repeats, so I worked extra hard to filter that shit out. I did so good that I was even able to up the max delay time and still have it almost totally his free. It may be too dark for some amps that are naturally also not that bright. This can be adjusted easily with a couple cap values swaps.
• You can hit it hard with neck humbucker output (clean), and it won't distort noticeably (it just gets a *little* grittier, but in a good way).
• The new "stock" circuit has a minimum delay time of about 150ms and a max of about 500ms. Those are approximations, and will vary somewhat from circuit to circuit. And of course you can make some value changes to adjust this.
• With Feedback set more than about 75%, there is runaway oscillation. You can also set it so that it almost repeats forever (or like 45 seconds, which is pretty close to forever).
• With Mix set to max, the repeats are louder than the dry signal. I think this is cool, but it could be adjusted so that max mix is unity with dry.
• The "up" swing on the modulation footswitch is now slower than it was before, which sounds better. I'm going to keep screwing around with this to see if I can get it even smoother. But it sounds pretty good now.
• A couple of the pots are backward on the schematic. Imma fix that.
• I'm not terribly sure how usable most people will find the LED/LDR footswitch modulation thing. I did mainly because I'd never seen it done, not because I thought it would sweep the nation. To that end, I will also almost certainly do a separate circuit that has a more traditional LFO for modulation. It's also possible that this layout could be used with an external LFO (just leave off the parts for the in-built modulation and manually hook up the LFO to the Delay pot).
That's enough blathering for now. More deets as the sitch develops. (<< I'm so hipster!)